
(an early photo of Sunday’s Best)
One of the first shows I ever booked (and there weren’t really all that many afterwards) was a triple bill of Sunday’s Best, Onelinedrawing, and Juno at some basement punk rock club called Bernie’s in Columbus, Ohio. Juno backed out at the last minute (to this day, I think their excuse for backing out was a load of crap) but the show went on with a local band taking Juno’s place. I think we did something like 80 paid which, for being a show in the summer (when a lot of students at OSU aren’t taking classes), turned out really nicely and the guys in Sunday’s Best were super appreciative of everything.
Sunday’s Best – “Don’t Let it Fade”
[youtube]http://youtube.com/watch?v=RJPhxyceMt0[/youtube]
Tonight I was looking up the band Pond to see whatever became of them when I saw them somehow linked to a band called Skiploader. Skiploader’s lead singer, Tom Ackerman, went on to play drums with Sunday’s Best after his band broke up and it got me to wondering whatever happened to the Sunday’s Best guys. Turns out Ed Reyes and Ian Moreno of Sunday’s Best are now performing indie pop tunes (ala The Shins) as members of the much blogged/buzzed about band, The Little Ones who are just getting ready to hit the road with Nada Surf. Just amazing the stuff you can find out on the web with just a little searching.
The Little Ones – “Lovers Who Uncover”
[youtube]http://youtube.com/watch?v=NVwr5Ff6hAU[/youtube]
It seems like a good time for Bob Mould to return, doesn’t it? I kind of feel like it’s been a long time since I gave the ex-Husker Du/Sugar front man any considerable amount of time in my CD player or on my iPod, but I’m feeling a bit nostalgic. The material I’ve heard from his new solo CD, ‘Direct Line’, in stores in early February sounds great, but in a strange way. Here’s a guy who undoubtedly has influenced a generation of singer/songwriters and his new material, while sounding distinctly Mould-ish, also sounds like material that some of the modern post-emo boys, the ones who have left the “rock” world behind to concentrate on being “serious solo artists”, might perform. Maybe it’s just me, but I can’t get past the feeling that there is something kind of Dashboard Confessional-esque about Mould’s new material thus begging the question, was Chris Carrabba influenced by Mould or was Mould’s latest influenced by the generation of songwriters that HE influenced?