Megadeth’s James Lomenzo talks White Lion, Badlands, Vinnie Vincent, and long hair

Megadeth is coming to town soon. I spoke with bassist James LoMenzo last week for the November issue of MELT Magazine (new issue coming REAL soon). While that feature focuses solely on Megadeth, I couldn’t resist the temptation to talk to James about White Lion, the band he played with from the mid-80s through the early-90s. Since that stuff didn’t make it into my Megadeth story, I thought I’d share it here.


(Me with White Lion, backstage at the Phantasy Theater in Cleveland, 1987)

If offered the right deal and it didn’t conflict with what you were doing with Megadeth, would you entertain the idea of doing a White Lion reunion?

Oh, absolutely. I’m a journeyman, I would do that in a second.

You’ve played with a bunch of bands, from White Lion to Ace Frehley to David Lee Roth. Do you keep up with what your former bandmates are doing?

Mike Tramp calls me every once in a while and lets me know what he’s doing, so it’s easy for me. He just went back to Denmark to be a solo star and I think that’s a great idea. I suggested that years ago, and he’s doing quite well. Ace Frehley … I contacted him because a friend of mine in Japan was doing an album of songs that go with animated monsters and I thought he would love that. I just keep an eye on him peripherally, we don’t really speak very much, although he’s been to my parents house. Every once in a while I’ll see somebody who knows David Lee Roth and they’ll say, “Dave says, ‘hey’.” There’s not like a clubhouse or a batcave that we all go to and hang out.

Do you go out and listen to new releases by those bands? Like, have you heard the most recent White Lion CD?

I’ll do what everybody else does, I’ll download a track or two just to see where they are at. I’m very proud of Mike. He’s put together a really good band and he’s carried it out. I don’t think he’s embarrassed the name in any way, shape or form – he’s kept it pretty consistent. I feel bad that Vito isn’t able to get together with him and come out and do that. There was a time when it seemed like it was really right for that.

Do you think Vito will ever play again?

I would fathom to guess that he will not ever play again. I know there has been a lot of offers and interest and he just doesn’t seem to bite.

You’re connected to a few of the guitarists who have sort of disappeared. Vito Bratta, Jake E. Lee. You’ve done stuff with Ozzy and with Jake’s replacement, Zakk Wylde.

Just before White Lion broke, Ray Gillen, who was in Badlands, a dear friend of mine from way back when, called me up and said, “I know you’re in L.A. and you’re going to get on a plane but we need a bass player, would you come down and audition?”

I was already in White Lion and we had already recorded our album (Pride) but, as it goes, I said, “Let me come down, I’d love to play with Jake”. Eric Singer was playing drums and we jammed for a while. It was really quite good except I remember Jake E. Lee had some sort of distortion pedal and it was really hard to hear everything he was playing. So we finished playing. There was this little bathroom in the corner so I went there because, you know, we had to go to the airport and as I’m relieving myself, in comes Ray and he goes, “Well, you want to do it?” I was like, “Dude, let’s just get to the airport. Get me home and I’ll think about it.” We got in his car, turn on the radio, and “Wait” came on. It was the first time I had ever heard it on the radio. I looked at him and said, “You know what? It was really cool playing with you but I don’t think so.”

The other recluse guitarist from that time period is Vinnie Vincent. Any stories about him? Did you ever work with him?

Never met Vinnie Vincent. I was at the studio with the Kiss guys because of Eric Carr, who was a friend of mine, and he invited me down to the studio to listening to some tracks that Vinnie played on but he wasn’t in the studio at the same time. That’s my six degrees of separation.

How do rock stars manage to keep all their hair? At my 20-year high school reunion, half the guys were bald or losing their hair. Do you think once you make that decision to be a rock star, you get the gift of having long hair until you stop playing? I mean, you don’t see a bald Mick Jaggar, Robert Plant, or Jon Bon Jovi!

Chip, I was born into metal. It chose me, I didn’t choose it. It’s not the hair, it’s not the music, it’s the deal with the devil!

20 Q’s with singer Ray West (ex-Spread Eagle)

Ray West/Spread Eagle @ The Akron Agora, 1990
Ray West/Spread Eagle @ The Akron Agora, 1990

Though they never met with success the way other like-minded sleaze metal bands did (Skid Row being a prime example), Spread Eagle created a minor splash with tracks like “Switchblade Serenade” and “Scratch Like a Cat” from their self-titled MCA debut in 1990. Both videos received limited airplay on MTV’s Headbanger’s Ball and the video for “Scratch Like a Cat” was shown on an episode of “Life Goes On” (it might have been in the episode entitled “Corky Rebels”).

After a (saleswise) disappointing second release, Open to the Public, in 1993, Spread Eagle called it quits. Singer Ray West joined a band called Girls of Porn but then disappeared for a number of years. Rumors around the internet were that Ray had AIDs and had moved back to Florida (where he got his start) to live with his mom. As you’ll soon read, those rumors were completely unfounded and Ray knows who started them.

In 2006, Ray resurfaced with a MySpace page, posted some solo tracks he was working on as well as Hostel, Inc. tracks he had recorded, and also hooked back up with Spread Eagle bassist Rob DeLuca for a short run of reunion tour dates.

Just a few weeks ago, Ray released his first solo CD (under the name All Pointz West) and while it’s definitely NOT an ’80s hair metal rehash (think more like modern metal bands Avenged Sevenfold, Seether, Killswitch Engage), Spread Eagle fans should recognize Ray’s vocals pretty easily on many of the tracks.



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I’m a huge fan of Spread Eagle AND the Metal Sludge website so I figured I’d copy that site’s 20 Questions format and send questions to Ray in hopes that maybe Metal Sludge would be interested in running it on their site (offer is still there, Stevie!).

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Interview: Elizabeth and the Catapult

I don’t know if you’ve “made it” when your song appears on the soundtrack pumped into a fast food restaurant (in this case, Wendy’s), but it was just a few weeks ago that, while eating a Bacon and Blue burger, I heard a song I recognized.


I caught Elizabeth and the Catapult at the recommendation of their manager, Wes Kidd, whose opinions I highly value as he’s the same guy that introduced me to acts like The Damnwells and Kevin Tihista. Though it was the final night of SXSW 2009, Elizabeth and the Catapult packed the small club they were performing in and the crowd was going crazy for Elizabeth’s jazzy, quirky indie-pop songs. The band’s debut album, Taller Children, came out in June and if buy digital CDs is your thing, you can snag the release at Amazon as MP3s for a mere $5.

A month or so ago I asked Elizabeth to finish a few sentences that I started.

When I was little, I dreamt of … being a tap dancer and someday owning a Doberman pincher

My earliest memory of lip synching to a song in front of the mirror is … “Your Eyes”,  Peter Gabriel.  Loved it, still do

I realized I had musical talent when … I supposedly sang before I spoke so I suppose that’s a dead give away.

The early years of my songwriting could best be described as … hilarious

People are surprised when I tell them that that one of my biggest influences is …I definitely had a huge En Vogue phase…

I opted against performing as a solo act using my full name because … I’m in a band

The Catapult in our name refers to … whatever you want it to refer to

Wes Kidd is … Awesome

Touring for the new album … just like camp

After we had been on the road for a few days, I came to the realization that I forgot to bring … my toothpaste

The strangest thing that has happened so far on tour was … running around in a vintage pinball arcade at 9 in the morning outside of Nashville

Hands down, the best meal we’ve had on tour was … at the Church Brew Works in Pittsburgh

The one show we’ve played so far that turned out to be the biggest surprise was … Atlanta had a huge supportive audience, who knew?

I can’t wait to get home because I set up my Tivo/DVR to record … Arrested Development, although that’s a lie because I download it off of iTunes in the road

I’ll never forget where I was when I heard Michael Jackson had died, I was … doing a soundcheck before a show in Boston

We cover Leonard Cohen’s “Everybody Knows” on the CD and on tour, but we’ve also covered … “Carrie” by Joni,  “I Don’t Wanna Grow Up” by Tom Waits, “I think it’s Gonna Rain Today” by Randy Newman

I’d never want to front another band other than my own, but if offered a million dollar paycheck to take over lead vocals for a band, without question I’d want to sing for … hmmmm I’m stumped.

In the reviews I’ve read of the album, the strangest comparison I’ve gotten is to … a lot of Karen carpenter

Check out Elizabeth and the Catapult on the road this September and October.

9/3 Music Hall of Williamsburg  BROOKLYN, New York
9/24 T.T. The Bear’s CAMBRIDGE, Massachusetts
9/25 Hudson Valley Community College TROY, New York
9/26 Iron Horse NORTHAMPTON, Massachusetts
10/1 NightCat EASTON, Maryland
10/2 Tin Angel PHILADELPHIA, Pennsylvania
10/3 The Red and The Black WASHINGTON, District of Columbia
10/8 Thunderbird Cafe PITTSBURGH, Pennsylvania
10/9 Beachland Ballroom CLEVELAND, Ohio
10/10 Beat Kitchen Chicago, IL
10/11 Radio Radio Indianapolis, IN
10/12 Rumba Cafe Columbus, OH
10/14 The Vernon Club Louisville, KY
10/15 Eddie’s Attic DECATUR, Georgia
10/16 The END Nashville, TN
10/18 The Rocket Club Asheville, NC
10/19 The Southern Charlottesville, VA
10/20 The Evening Muse CHARLOTTE, North Carolina
10/21 The Camel Richmond, VA
10/22 The Barns at Wolf Trap VIENNA, Virginia
10/23 The Saint Asbury Park, NJ
11/12 The Barn CLINTON, New York

Interview: Jason Lytle

Jason Lytle’s first solo album, Yours Truly, The Commuter, is now available on Anti- Records. Lytle is also starting to fill in summer tour dates which you’ll find below.

DOWNLOAD: Jason Lytle as interviewed by AtomicNed’s Chip Midnight (MP3) (28min 53sec)

(Note: If you’re not able to download the file, or if bandwidth maximum is reached, send an email to atomicned@gmail.com)

The following dates are with NEKO CASE (unless otherwise noted):

06/11 Long Beach, CA – Art Theatre (headline show)
06/12 Los Angeles, CA – Greek Theatre
06/14 Merced, CA – The Partisan (headline show)
07/01 Minneapolis, MN – Triple Rock Social Club
07/02 Chicago, IL – Congress Theater (with Explosions In The Sky)
07/03 Columbia, MO – Tonic (headline show)
07/08 Columbus, OH – The Basement (headline show)
07/14 Toronto, ON – Massey Hall
07/16 Grand Rapids, MI – Meijer Gardens
07/17 Indianapolis, IN – Clowes Hall
07/19 Kansas City, MO – The Uptown
07/22 Pontiac, MI – The Crofoot
07/23 Buffalo, NY – Thursdays at the Square
07/25 Nashville, TN – Ryman
07/26 Atlanta, GA – Cobb
07/28 Baltimore, MD – Ram’s Head Live
07/29 Philadelphia, PA – Kimmel Center
07/31 Pittsburgh, PA – Riverplex Amphitheatre

Listen to Yours Truly, The Commuter

Interview: Great Northern

Great Northern

The first Great Northern CD – Trading Twilight for Daylight – showed up in my mailbox, completely unexpected and it was one of those CDs that, on first listen, I fell in love with. It earned the top spot on my “Favorites of 2007” list and I was fortunate enough to see the band a few times on the tour for that release including a few performances that year at SXSW. Jack Rabid wrote a glowing review of that CD in spring ’07 issue of The Big Takeover and when I emailed him to tell him that I was a big fan of the band and that I would have an opportunity to see them very soon thereafter, Jack gave me my very first Big Takeover assignment – write a 500-word feature on the band for the fall ’07 issue.

Two years later – and with two band members no longer in Great Northern (Davey Latter and Ashley Dzerigian) – Rachel Stolte and Solon Bixler have returned with a new release, Remind Me Where the Light Is. Now, I may be crazy, but just as I think the first CD title described the music perfectly, I think the new title sounds like something you’d say in the wee hours of the night or the very early part of the morning, before the sun comes up. And, once again, the music matches.

Great Northern is currently on a great touring bill with The Dears and Eulogies and I sent Rachel some questions the old-fashioned way …. through email! The responses, printed as received, came back with a note that said “Sent using my iPhone” which explains the way they appear.

Free download of the song “Story” available for a limited time on Amazon.com.

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