Atomic Ned

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Tag: veruca salt

Favorites of 2014

Atomic Ned's favorite albums of 2014

As 2014 came to an end, I was asked by a few people, “What albums really stuck out to you in 2014?” My first response was, “Wow, I listened to so much music that I don’t know if there is any one or two albums that really stuck out.” But as I scanned my iTunes playlist, I discovered that there were actually quite a few albums that I enjoyed.

You may have noticed that my 2014 posting was pathetic and limited to just a few entries in early January one of which, ironically, was my “Favorites of 2013” list! But I made “Write more” a resolution for 2015 so I figured the best way to get back into posting on Atomic Ned was by posting a list of albums that I loved but didn’t blog about last year!

These are presented in alphabetical order as they appear in iTunes. And, here’s a quick explanation of how I picked these 20 albums – in this day and age, there are very few albums that I listen to repeatedly cover to cover. As it is, I typically listen to music during my work commute (30 minutes each way) or at times during the day when I can slip on some headphones and drown out other noise for 30 or 45 minutes. I’ve listened to all of these albums all the way through a number of times but, honestly, they made the list because the first 4 or 5 songs are really strong and inspired multiple listens.

Without further adieu, here are my favorite 20 releases of 2014:

Alex Dezen – Bedhead EPs (1-4)
The Damnwells lead singer dropped four 3-song EPs over the course of 2014 as a precursor to his band’s April 2015 release. These are (mostly) what you might expect from a solo album, Dezen is one of the greatest songwriters I’ve ever listened to and one of these days the rest of you will figure it out.

Beastmilk – Climax
Yeah, this came out in December 2013 but since I didn’t hear it until early 2014, figured I’d make an exception and include it. From what I can tell, these are metal dudes with a Joy Division fetish.

Bigshot – 6,600
Not a Billy Joel tribute act like the name might suggest, this Columbus, Ohio band would be a great addition to the 4AD record label with their dreamy, shoegazing goodness.

Brody Dalle – Diploid Love
One of the best shows I saw in 2014, Brody Dalle’s shed the punk rock image she had when leading The Distillers but keeps the punk rock spirit throughout these snarling tracks.

Crazy Lixx – Crazy Lixx
If I had to pick a favorite of 2014, it might be this Swedish hair metal album. Then again, I would have picked it as my favorite of 1990 (where it really belongs) had it come out then. Fans of Vain, Danger Danger and Def Leppard need to check this out.

Crosses – Crosses
Moody, synth-driven rock from the Deftones Chino Moreno. I swear I hear some Duran Duran/Depeche Mode influence in these songs.

The Ghost of a Sabertooth Tiger – Midnight Sun
The apple doesn’t fall from the tree in Sean Lennon’s case. Dad’s influence is apparent in this psychedelic rock that is both nostalgic and futuristic. I’d love to see The Ghost of a Sabertooth Tiger share a bill with Tame Impala though seeing them open for Beck this past summer was alright too 🙂

Greys – If Anything
Last year it was Metz. This year, it’s Greys. It would be too simple to say the two punk-ish bands from Canada are interchangeable, they aren’t. But both sound like the stuff SubPop was putting out in the late ’80s/early ’90s. It’s raw, it’s loud, it’s aggressive.

Helms Alee – Sleepwalking Sailors
I may have listened to “Pinniped” more than any other song in 2014. I love ebb and flow of the heaviness.

Holy Sons – The Fact Facer
Didn’t know a thing about Holy Sons until a Thrill Jockey publicist asked if we’d be interested in doing an interview with frontman Emil Amos for the other site I run, Kids Interview Bands. This reminds me a bit of the 2001 album (The Tailored Soldier) by Boxharp that Hiss Golden Messenger’s MC Taylor sang on.

Incan Abraham – Tolerance
Really thought this was one that some alternative radio program director would latch onto and champion right up the charts. The album came out in April and, to my knowledge, didn’t gain much traction (not sure if the band did any national touring; if they did, they didn’t come through Columbus). I hope that rather than head back into the studio, these guys put some road miles under their belts and work this album because it’s a good one. If we go on a beach vacation this summer as planned, this will be the soundtrack. Think Beach House, Vampire Weekend, Grizzly Bear.

The Life and Times – Lost Bees
2014 was a good year for fringe alternative rock bands with ’90s roots. First, Failure reformed and toured and then The Life and Times released arguably the best album in their 12-year career. The power trio, led by singer/guitarist Allen Epley (who earned his reputation fronting Shiner in the ‘90s), doesn’t feature enough keyboards or synths to be a prog rock band, nor do they overdo the reverb and land squarely in the space rock genre. Instead, The Life and Times falls somewhere in between with a deeply atmospheric full rock sound.

Lydia Loveless – Somewhere Else
Love how Lydia’s grown from a country singer to a rock singer (with country roots). Whereas I previous described her as “Loretta Lynn’s foul-mouthed granddaughter”, she’s definitely entered into the “midwest rock” phase of her (very) young career. I might be tempted to describe her as “Paul Westerberg’s foul-mouthed daughter” these days 🙂 If you want songs about drinking and boys, this is the album you need in your collection.

Sinkane – Mean Love
Yeah, Pharrell’s “Happy” is a pretty catchy song but I’ll take “How We Be” any day over the huge pop hit. With a variety of sounds throughout (soul, funk, pop), it’s no wonder Sinkane’s admirers include Usher, David Byrne and Greg Dulli (Afghan Whigs).

Skaters – Manhattan
Knew from the first listen that this would have a home on my “Favorites” list. It’s got a mid-90s NYC sound (ie The Strokes) with some earlier ’90s Brit-rock mixed in for good measure.

Sturgill Simpson – Metamodern Sounds in Country Music
Totally jumped on the Simpson bandwagon after hearing so many friends (and musicians) sing the country singer’s praise last year. The fact that so many people dug this outlaw country sound makes me hopefully that people are starting to tire of the manufactured Nashville pop country and longing for a return to the style of music that put Nashville on the map in the ’60s and ’70s.

Temples – Sun Structures
A toss up between this and Crazy Lixx for my favorite album of 2014. How’s that for a variety?!? While Crazy Lixx sounds like ’80s hair metal, Temples sound like a psychedelic British band from 1968 and they’ve got the look that says, “We just stepped out of a time machine.” If you can imagine what Tame Impala covering the Beatles would sound like, you’re on the right track.

Ty Segall – Manipulator
Ty’s a maniac – he’s released tons of music since 2008 under his own name and with bands like the Sabbath-y Fuzz. So, yeah, might as well release a double album, 56 minutes long,  this time around! It sounds like some obscuro “Best of ‘74” mixtape passed around by the high school dope smoking kids.

Veruca Salt – The Museum of Broken Relationships/It’s Holy 7″
Only two songs, but any new music by a reunited Veruca Salt is worth celebrating. Truthfully, while I dreamt of it often, I never thought Nina and Louise would get back together and certainly never thought they’d record new music (though Louise will confirm that I sent her many pleading notes over the past few years!). These songs are everything I’d hoped they’d be and if they are all we get, I’ll be happy though I’m holding out hope for a full length sometime later this year.

Happy Birthday, Veruca Salt’s ‘Eight Arms to Hold You’

The fine fellas over at the Dig Me Out podcast noted in a Facebook post that Veruca Salt’s second album – and the last featuring Nina Gordon – ‘Eight Arms to Hold You’ was released on this day in 1997.

After releasing the Brad Wood-produced ‘American Thighs’ in 1994, Veruca Salt embraced its inner arena rock dreams and hired Bob Rock (Metallica, AC/DC) to produce their sophomore album. The money was well spent as ‘Eight Arms to Hold You’ is a glossy, sparkly, blistering rock album with songs like “Straight”, “Volcano Girls”, “Shutterbug”, and “Venus Man Trap” that were played in arenas (the band spent time on the road following the release playing hockey and basketball arenas opening for Bush).

It stands in stark contrast to the (intentionally?) lo-fi debut but it’s more of the sound Veruca Salt really wanted to make and it still stands out as one of my favorite fist-pumping rockers.

Happy 16th birthday, ‘Eight Arms to Hold You’.

Following up the last post about Cardinal, Kevin Tihista’s definitely an artist in the same genre – orchestral pop music that music geeks freak out over. Tihista got his start as the bass player in Capitol Records band Triple Fast Action. After that band broke up, Tihista lent his talents to Veruca Salt (post-Nina Gordon) though he didn’t last long before embarking (much to my surprise … didn’t know he had it in him) on a solo career that spawned 5 full length recordings between 2001 and 2005.

For somebody so prolific, the lack of new material since 2005 has been somewhat surprising. A few years ago Tihista sent me some demos, saying that he had albums worth of stuff written and ready to record but then he killed off his Facebook account and I haven’t heard from him since.

Broken Horse Records out of the UK recently announced that Tihista’s latest, sure-to-be, opus, On This Dark Street, has been completed and is being mastered with the goal of releasing the album in early 2012. The label posted “Bats” from the new CD on Halloween (ah, how fitting!).

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