Rocklahoma

The Rocklahoma festival – featuring a who’s who of late ’80s/early ’90s hair metal bands – is currently underway in  Pryor, Oklahoma. The location, the price, and the dates all contributed to the fact that I wasn’t able to make it to this dream festival but BringBackGlam.com is doing a nice job of blogging from the event. Make sure to check out the site for live reviews and interviews that will be conducted during the weekend long event.

Smashing Pumpkins tour dates

Billboard.com has revealed the first string of Smashing Pumpkins tour dates scheduled for this fall. The band will be touring to support their new release Zeitgeist which hits shelves next week. Calling the band Smashing Pumpkins is a little like Axl Rose calling his current band Guns N’ Roses – it’s a little bit misleading as only 2 of the original 4 Pumpkins are in the current lineup. In fact, the 2 that are in the Pumpkins now were also in Zwan which begs the question, why not call this band Zwan? Nostalgia, for sure, and after a quick, precursory listen to Zeitgeist, I guess it’s fair to call it a Smashing Pumpkins album as Corgan isn’t doing anything to damage the band’s good name. There are a few monster rockers on the new CD (which you can stream here) so we’ll see what becomes of this version of the Pumpkins. Of course, it would be great to see James Iha and D’arcy back in the band but that ain’t likely to happen anytime soon.

And now, the tour dates.

Sept. 8: Montreal (Osheaga Festival)
Sept. 9: Toronto (V Fest)
Sept. 13: Las Vegas (the Pearl)
Sept. 18: Phoenix (Dodge Theatre)
Sept. 24: Vancouver (NE Forum)
Sept. 28: Salt Lake City (McKay Center)
Sept. 30: Morrison, Colo. (Red Rocks)
Oct. 2: St. Paul, Minn. (Wilkins Auditorium)
Oct. 4: Normal, Ill. (Braden Auditorium)
Oct. 7: Detroit (Fox Theatre)
Oct. 9: Pittsburgh (Palumbo Center)
Oct. 11: Columbus, Ohio (LC Pavilion)
Oct. 15-16: Boston (Orpheum Theatre
Oct. 21-22: Philadelphia (Tower Theatre)
Oct. 25: Memphis (Mud Island Amphitheatre)
Oct. 30: Atlanta (Fox Theatre)
Nov. 3: Dallas (Nokia Theatre)
Nov. 5: Nashville (Ryman Auditorium)

AtomicNed.com downtime

Just got back from a weeklong vacation in Charleston, South Carolina – thus explaining the lack of updates to the site. Charleston is an interesting city when it comes to music and I haven’t quite figured it out yet. There seem to be a few good radio stations (covering the typical styles of music you’d expect), a few decent CD shops, good local entertainment magazines, and even a few rock clubs, though I have yet to step foot into any of them.

This time around I missed out on seeing Great Northern at the Village Tavern by a mere 24 hours (I nearly re-arranged my vacation to see the band that undoubtedly will earn a spot on my “Best of 2007” list). And we left Charleston just 8 hours before Two Cow Garage was scheduled to hit the Pour House stage. I thought long and hard about checking out Moses Mayfield at the Windjammer and the $1 door charge was very tempting but, truth be told, I hold the band responsible for The Damnwells being dropped by Epic. A little harsh, yes, but when I spied Ben Goldman’s name on the Moses Mayfield CD that I picked up while in Charleston, my stomach dropped a bit.

Goldman is an A&R guy and my introduction to him came via Golden Days, a documentary about The Damnwells shot while the band recorded Air Stereo. Now, I’m biased because I think The Damnwells are the greatest band on Earth AND because I think they got shafted, but Goldman (who is in the documentary for probably a grand total of 8 minutes) comes across as one of those sleazy record company guys who doesn’t really care about music. It’s all about the bottom line for the label, which, granted, is his job, but it killed me … KILLED ME … when, in Golden Days, Goldman tells the band that they have to wait for just the right moment to release the album so as to not get lost among the hundreds of other bands releasing music at the same time. The Damnwells lead singer Alex Dezen looks at Goldman and says “There will never be the right time to release our record. We’ll ALWAYS be competing against other bands”. In the end (sorry to ruin the ending), The Damnwells got released from their contract before Air Stereo hit the shelves and, lo and behold, hear comes Moses Mayfield with a more radio-friendly (read: unit shifting) sound. Will they sell enough records to stay on Epic’s roster? Probably not, but even I’ll admit the song “Fall Behind” is one of those tracks that gets stuck in your head the way a song by a band like The Fray or Augustana might (shit … just looked at the back of the Moses Mayfield cover to find they are on Columbia, not Epic … oh well, I still think Goldman was quick to turn his back on The Damnwells because of these guys).

Moses Mayfield performing “Fall Behind” live in a Charleston radio station studio

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Golden Days trailer

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The Charleston City Paper (a free weekly) had an interview with Chris McLernon of the cover band Playlist. The name instantly rang a bell in my head as I recognized him from his work in the early ’90s with Cold Sweat (featuring Marc Ferrari of Keel) and Saigon Kick. Kind of interesting that this is the second story I’ve read in the last month or so about a former major label musician who is now playing in an ’80s cover band (the other story being about Dave Brooks, formerly of Slammin’ Gladys, who now fronts The Breakfast Club in Cleveland).

More updates coming later this week.